Tag Archives: Poetry

A Free Jazz Solo for the New Wave Sky

Margarita S. Padua
I remember playing John Coltrane’s Ascension when my mother
came downstairs with one of the women she sewed for and they
both seemed to think that the music sounded like “a dreary day,”
but one time when I was a little older the B-52s’ “Rock Lobster”
was playing and my mother started swaying to the beat, almost dancing
in the doorway of our house on Hobart Street and she turned to me
to say that she liked it and it sounded “mysterious” as she moved
her head this way then that, meaning that she wasn’t a fan of
Coltrane’s later, wilder, avant-garde, and totally free work, but
this new wave, part punk rock, retro-forward, pop sound featuring
a guitar missing two of its strings was something she could believe in.
We drank our Royal Crown cola with ice in the kitchen back in those days
when I was even younger, living in an apartment, going to school at my
downtown parochial school, and on warm days driving to the beach
when the beach was the Chesapeake Bay, not an ocean, and not a vacation,
but a Saturday afternoon when summer was a deep blue heaven
I could crawl into with my hands waving in the air like long goodbyes
as soon as the sky turned dark. And today I believe in both the true
new wave and punk rock, as well as the real outside, free-jazz sound
of John Coltrane’s later years, and I know that if my mother were
here today she would listen to it once again, seeing the clouds
scatter, watching gray turn to blue, letting the mystery begin.

-Jose Padua

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Brie


I ponder
as of late
the manner
in which
living ages us,
how we age
in order
to live,
to become more
of what we
are destined
to be and
how in
the artful
acquisition of
wisdom and grace
we tend to
become soft and
malodorous like
really good
cheese.

-Jose Padua

Photograph by Jose Padua

The New York Book Launch for Jose Padua’s A Short History of Monsters at The Bowery Poetry Club

Monday, July 1st, 2019 at the Bowery Poetry Club

“When Jose Padua writes of ‘the beauty of the moment that comes alive without artifice,’ he could be describing these poems. They’re dispatches from a messy life, told with wry candor. His gift to us is a lesson in seeing through the little defeats we all suffer every day for a glimpse of transcendence. In the twenty-five years I’ve been reading him, I never once felt he was posturing or lying to me, which is high tribute for any writer.”
— John Strausbaugh, author of City of Sedition and Victory City

Drawing on the spirit of New York City in decades past, A Short History of Monsters presents the sins and obsessions of a poet nimble in beat and slam traditions. In his full-length colletion, Jose Padua wrestles with an American dream interrupted by failure, excess, and other nightmares. Often brash and unruly, these poems range from recollections of lost, drunken days to unadorned manifestations of hope. Throughout, the speaker redefines his relationship to pop culture, praising it, skewering it, and mourning it by turns.

The poems that make up A Short History of Monsters tend toward both dark humor and epiphany, diving deeply into their own despair and rising up again with existential absurdity. This is a poetry that gets down into the grit and grime of the real world, digging out a space to experience being alive as miraculous in and of itself.

About the Author:
Jose Padua’s first full length book, A Short History of Monsters, was chosen by former poet laureate Billy Collins as the winner of the 2019 Miller Williams Poetry Prize and is now out from the University of Arkansas Press. His poetry, fiction, and nonfiction have appeared in publications such as Bomb, Salon.com, Beloit Poetry Journal, Exquisite Corpse, Another Chicago Magazine, Unberables, Crimes of the Beats, Up is Up, but So Is Down: New York’s Downtown Literary Scene, 1974-1992, and others. He has written features and reviews for Salon, The Weeklings, NYPress, Washington City Paper, the Brooklyn Rail, and the New York Times, and has read his work at Lollapalooza, CBGBs, the Knitting Factory, the Public Theater, the Living Theater, the Nuyorican Poets’ Cafe, the St. Mark’s Poetry Project, and many other venues. He was a featured reader at the 2012 Split This Rock poetry festival and won the New Guard Review’s 2014 Knightville Poetry Prize.

Jose Padua, July 1st, 2019 at the Bowery Poetry Club

A Short History of Monsters is available from:

University of Arkansas Press:
https://www.uapress.com/product/a-short-history-of-monsters/

Barnes & Noble:
https://www.barnesandnoble.com/w/a-short-history-of-monsters-jose-padua/1129710790#/

Amazon, Books-a-Million, etc.

Book Launch for Jose Padua’s A Short History of Monsters, hosted by Silvana Straw

Wednesday, April 24th 6:30pm, at Kramerbooks, Washington DC
Jose Padua book launch at Kramerbooks, April 24, 6:30 PM

“We are the happy riders on the stream of Padua’s consciousness . . . a smart, sympathetic mind at work.”
—Billy Collins

Drawing on the spirit of New York City in decades past, A Short History of Monsters presents the sins and obsessions of a poet nimble in beat and slam traditions. In his full-length colletion, Jose Padua wrestles with an American dream interrupted by failure, excess, and other nightmares. Often brash and unruly, these poems range from recollections of lost, drunken days to unadorned manifestations of hope. Throughout, the speaker redefines his relationship to pop culture, praising it, skewering it, and mourning it by turns.

The poems that make up A Short History of Monsters tend toward both dark humor and epiphany, diving deeply into their own despair and rising up again with existential absurdity. This is a poetry that gets down into the grit and grime of the real world, digging out a space to experience being alive as miraculous in and of itself.

About the Author:
Jose Padua’s first full length book, A Short History of Monsters, was chosen by former poet laureate Billy Collins as the winner of the 2019 Miller Williams Poetry Prize and is now out from the University of Arkansas Press. His poetry, fiction, and nonfiction have appeared in publications such as Bomb, Salon.com, Beloit Poetry Journal, Exquisite Corpse, Another Chicago Magazine, Unberables, Crimes of the Beats, Up is Up, but So Is Down: New York’s Downtown Literary Scene, 1974-1992, and others. He has written features and reviews for Salon, The Weeklings, NYPress, Washington City Paper, the Brooklyn Rail, and the New York Times, and has read his work at Lollapalooza, CBGBs, the Knitting Factory, the Public Theater, the Living Theater, the Nuyorican Poets’ Cafe, the St. Mark’s Poetry Project, and many other venues. He was a featured reader at the 2012 Split This Rock poetry festival and won the New Guard Review’s 2014 Knightville Poetry Prize.

About the Moderator:
Silvana Straw is a writer, performer and cultural organizer. She has performed and produced shows in venues including GALA Theater, The Kennedy Center and the Nuyorian Poets Cafe. Her work has appeared in publications such as The Huffington Post, Gargoyle, Conversations Across Borders, and on the Library of Congress podcast, The Poets and Poem.

Click here to see the listing at Kramerbooks.

Out this week: A Short History of Monsters (winner of the 2019 Miller Williams Poetry Prize)

A Short History of Monsters
A quick, early review from Booklist:

“Padua is a very wry poet who, in his first book, presents stinging and riotous poems, as in the two-stanza ‘Barbie’: ‘I am Barbie / I live in your dollhouse / You change my clothes every day. / If I could get out / of here I would / kill you all.’ These are works that sharpen the mind on the micro, as opposed to the macro of our human experience. This debut collection was selected as winner of the 2019 Miller Williams Poetry Prize by Billy Collins, who invokes in his succinct preface the specter of Charles Bukowski, and indeed, the infamous barfly poet is echoed here, yet Padua’s own dry wit and driving purpose cut through. These poems evoke not bold headlines but rather a quiet righteousness or realization. In “On These Days Driving”: ‘Perfection is the moment when the worst / is behind you and the best slowly reveals itself / like a song from decades ago that only now / becomes a hit.’
— Raúl Niño, Booklist, March 2019

Available from:

University of Arkansas Press:
https://www.uapress.com/product/a-short-history-of-monsters/

Barnes & Noble:
https://www.barnesandnoble.com/w/a-short-history-of-monsters-jose-padua/1129710790#/

Amazon, Books-a-Million, etc.

Puñeta

Margarita Padua, circa 1960
Mother, you were the history
that never made the books,
the woman who fed us
chicken flavored with garlic
and ginger, sweet pork with
soy sauce and rice on
a plain white dinner plate,
the woman who dressed us
to smile, to praise, give thanks
like every day was church,
but only so long as
we were allowed
to stand tall and look
these motherfuckers
in the face,
which years later I learned
is how you translate
the word
puñeta
into English
for a clown.

-Jose Padua

Photograph of Margarita Padua, circa 1960

North Richmond Street, Being Blind

Photograph by Jose Padua
My eight-year old son Julien is singing
an East River Pipe song, going “I don’t care
about your blue wings, I don’t care about your
blue wings, baby” and my fifteen year old
daughter Maggie reads The Girl With Curious
Hair
while my wife and I drink beer at the pub
on Main Street (Julien and Maggie, iced tea
and a coke) before we all go back to our old,
dirty, small-town house. This place used to be
called Helltown and some people still call it
that, except at that precise hour when the sky
over the mountains is a perfect flinty lapis lazuli
blue, and the river is a woman named Edna with
the most joyous laugh, or a man named John,
his kidney stone like a 12 gauge shotgun shell.
He hopes to pass it before his Monday night
factory shift, the roughest in all the valley.

-Jose Padua

Photograph by Jose Padua

A Routine Evaluation of My Accomplishments at This Late Stage of the Middle Part of My Career

Photograph by Jose Padua
Because of a mix tape I played for what
must have been a couple of decades, I can’t
hear Prince’s “I Wanna Be Your Lover”
without expecting to hear T.S. Monk’s
“Bon Bon Vie (Gimme the Good Life)”
right after it. There were train rides when
I was so weary I’d fall asleep in minutes,
days when I was so sad flowers lacked both
scent and color. Weeks were lost like socks
with holes in them and days recalled like
bad products except there was no store
where I could take them back, no class action
lawsuit for squandered opportunities and
essential connections missed. These years
of love have sustained me far beyond
anything I ever could have imagined;
a dusting to an inch of snow overnight
on cold asphalt resulting in a two hour delay
is all part of the good life. I admit I didn’t
always know this, just as I understand
that there are gaps in my resume that
will never be explained, and disturbances
in my sleep that briefly interrupt the dream.

-Jose Padua

Photograph by Jose Padua

Pulp Fiction, Part Two

Photo by Jose Padua
Putting on my shoes
this autumn morning
I notice how my ankles
aren’t swollen
and that the skin
on my lower legs
is no longer taut and dry
the way it was
this past summer;
and the poem
that comes to mind,
as spoken by
my vascular specialist,
is a simple one:
compression socks.
And now,
for the rest
of my days,
whenever I walk
the Earth like Caine
in Kung Fu,
or like the bad motherfucker
Samuel L. Jackson plays
in Pulp Fiction,
I’ll be wearing
my compressions socks,
gliding across sidewalks,
travelling over dirt roads,
forging new paths
under the starry sky,
ready for what happens
next.

-Jose Padua

Photograph by Jose Padua

A Short History of Monsters—Coming March 2019, University of Arkansas Press

A Short History of Monsters by Jose Padua
My book, A Short History of Monsters, is now available for pre-order at Barnes and Noble (this early listing says 60 pages, but it’s actually a little over a hundred pages, so it’s a short history but not that short):

“We are the happy riders on the stream of Padua’s consciousness . . . a smart, sympathetic mind at work.”
—Billy Collins

Click here to pre-order from Barnes and Noble